LOT of 5a, Danny Aiello, Anthony LaPaglia stills 29th STREET (1992) Laine Kazan,

Description

(They ALL look MUCH better than these pictures above. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photograph. I just placed them on this listing to protect this high quality image from being bootlegged.)
LOT of 5a, Danny Aiello, Anthony LaPaglia stills 29th STREET (1992) Laine Kazan, scarce studio vintage originals – GET SIGNED!
This lot of 8” x 10” photos will sell as a group. The first picture is just of the group, please open and look at each still in this lot to measure the high value of all of them together. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers by my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!
PLEASE BE PATIENT WHILE ALL PICTURES LOAD
After checking out this item please look at my other unique silent motion picture memorabilia and Hollywood film collectibles! WIN MULITPULE AUCTONS AND SAVE ON SHIPPING COST AND SAVE $
See a gallery of pictures of my other auctions
HERE!
These photographs are original photo chemical created pictures (vintage, from original Hollywood studio release) and not a copies or reproductions.
DESCRIPTION:
A hybrid cross-pollination of a Martin Scorsese and Frank Capra film, this feel-good comic fantasy is loosely based on the real-life story of a New York lottery winner. Anthony LaPaglia stars as Frank Pesce Jr., a New Yorker with a good-luck streak that is unmatched in his Little Italy neighborhood. When Frank throws a pair of dice in a game of chance, he doesn't just toss a winning hand, the dice land on top of each other. When he's stabbed in the chest by a girlfriend's brother, his doctors find a pre-cancerous tumor. Although he tries again and again to get rid of a vehicle he no longer wants, it is retrieved every single time by the authorities. So when New York announces its first statewide lottery in 1976, Frank buys one ticket and immediately becomes everybody's best friend. Unfortunately, Frank's good luck is matched by the equally bad luck of his hard-working father, Frank Sr. (Danny Aiello), who has run up a gambling debt to a local mobster. The wise guy is willing to forgive the note if Frank Jr. will just hand over his sure-to-be lucky ticket, leaving the city's luckiest Italian-American in a bit of a moral quandary. The real Frank Pesce Jr. executive produces and co-stars in 29th Street as his own police officer brother, Vito.
CONDITION:
These quality vintage and original release stills are in Near MINT condition (old yes, hardly any wear – nearly PERFECT!). I doubt there are better condition stills on this title anywhere! Finally, they are not digital or repros. They came from the studio to the theater during the year of release and then went into storage where the collector I bought them from kept them for many years! They are worth each but since I have recently acquired two huge collections from life long movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.
SHIPPING:
Domestic shipping would be FIRST CLASS and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to a pound with even more extra ridge packing.
PAYMENTS:
Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
BACKGROUND:
Bubbling with good-natured charm, the directorial debut of Midnight Run screenwriter George Gallo breezes along on a likable current of cheer, buoyed by excellent performances from leads Danny Aiello and Anthony LaPaglia. Although the ostensible plot involves the first New York State lottery winner and is based on a true story, the real fun of Gallo's film is its depiction of an Italian-American clan in a humorous, blessedly nonviolent manner. Without a doubt, the characters in this film owe a debt to the wise guys who came before in the films of Martin Scorsese and Francis Ford Coppola. On the one hand, they're from the same world: They argue, love, eat, and work heatedly, and they scheme after better lives by performing duties somewhat outside the legal boundaries of society's rules, adhering to their own set of eccentric standards. The difference is that the characters here are not murderers, crooks, and criminals, but working-class salt of the Earth types with dreams both large and small, people that would have been instantly recognizable to Frank Capra. Despite a formulaic and somewhat anecdotal script, perhaps to be expected since it's loosely based on someone's real-life biography, 29th Street is a triumph because it never loses focus on what's best about it: Its full-bodied, amusing cast of big-as-life characters.
An Italian-American character actor with a beefy physique, no-nonsense expression, and intimidating presence, Danny Aiello came to acting late in life, having been a bus driver, a transport labor official, a night-club bouncer, and (he claims) an occasional thief. He began performing at an improvisational night spot. As he was approaching middle age, he appeared in a regional theater production of Jason Miller's That Championship Season, for which he won a Most Outstanding Newcomer award. Aiello made his screen debut in Bang the Drum Slowly (1973), and he went on over the next 15 years to play a succession of tough guys, cops, brutes, slobs, and "ordinary guys" in a wide variety of movies, but broke out of that mold when he portrayed Cher's fiancée in Moonstruck (1987). For his portrayal of a pizza parlor owner in Spike Lee's Do the Right Thing two years later, Aiello received a Best Supporting Actor Oscar nomination. He went on to become one Hollywood's more prolific character actors; between 1989 and 1996, he appeared in 26 feature films. The actor's first lead role came in the title part of Ruby (1992). In addition to his screen work, Aiello has also appeared frequently on Broadway, and in 1976, he won a Theater World Award for his Broadway debut in Lampost Reunion. His work in TV movies includes the acclaimed A Family of Strangers (1980).
Despite spending the first 25 years of his life in Adelaide, Australia, Anthony LaPaglia is best known for playing street-savvy Italian New Yorkers. This was not, however, LaPaglia's original plan. Rather than testing the waters of show business, LaPaglia traveled to the United States intending to pursue a full-time teaching career. As luck would have it, however, one of LaPaglia's odd jobs was a small role in Cold Steel (1987), a low-budget detective drama. LaPaglia began pursuing theater and television in his spare time -- one of his more notable early performances was in 1988's Frank Nitti: The Enforcer -- and considered himself a full-time actor by 1989, when he made his feature-film debut in Slaves of New York. It was 1990, however, when the young actor earned critical recognition for his role as an exceedingly polite mobster in Betsy's Wedding.   LaPaglia continued to build his resumé throughout the early '90s, most of which he spent playing either kindly policemen or good-hearted mobsters, and was delighted to work alongside a variety of noted actors so early in his career. Among those actors were Alan Alda in Betsy's Wedding, Michael Keaton in One Good Cop (1991), and Nathan Lane, Sharon Stone, and Kevin Bacon in He Said, She Said (1992). Later in 1992, LaPaglia could be found playing his first leading role in George Gallo's gangster farce 29th Street. Though the film did not fare particularly well, audiences were nonetheless impressed with LaPaglia's intensity, and he played a more serious gangster with great success opposite Susan Sarandon in The Client (1994). The actor switched gears for his next handful of films; in Mixed Nuts (1994) he played a disillusioned Santa Claus, while Empire Records (1995) found him as a down-on-his-luck store manager, and the Australian-helmed Brilliant Lies (1996) featured him as the defendant in a sketchy sexual-harassment case.   Despite a smattering of mediocre films between 1995 and the early 2000s, LaPaglia continued to earn critical acclaim for many of his endeavors, such as Steve Buscemi's directorial debut, Trees Lounge (1996), for which LaPaglia joined a star-studded supporting cast, as well as for his role as a detective in Spike Lee's Summer of Sam (1999). Luckily for him, 2000 and 2001 proved excellent for his career, as it was during this period that he played a wealthy businessman in The House of Mirth and an adulterous police detective in Lantana. In addition to receiving international success, Lantana earned LaPaglia the prestigious Best Actor award from the Australian Film Institute, as well as a nomination from the Film Critics Circle. In the meantime, he was adding several major television credits to his resumé, including a starring role as the head of the FBI's Missing Persons Squad on CBS's Without a Trace, and a recurring role on the long-running sitcom Frasier, a performance for which he would receive an Emmy in 2002. Far removed from his fledgling days as a teacher, 2002 also found LaPaglia working with Val Kilmer for The Salton Sea; Sigourney Weaver for The Guys; Robert De Niro and Billy Crystal in Analyze That; and Eric Stoltz in Happy Hour. In 2003, after filming Manhood with Janeane Garofalo and the late John Ritter, LaPaglia agreed to star in director Josh Sternfeld's Winter Solstice (2004).   Over the next several years, LaPaglia would appear in a number of big screen projects, like Balibo and Overnight.
Hofstra-educated singer/actress Lainie Kazan became a celebrity by indirection. In 1964, Kazan was engaged to understudy Barbra Streisand in the Broadway production of Funny Girl; the disappointed boos and catcalls that often greeted Kazan when she subbed for Streisand were generally dissipated by the standing ovations she'd receive at performance's end. In 1966, Kazan was hired for her first weekly-TV stint on The Dean Martin Summer Show, exhibiting a keen sense of comic timing in the presence of such funsters as Dom DeLuise and Rowan & Martin. A firmly established nightclub star by 1980, Kazan made her official screen bow in 1980's One From the Heart (her actual screen debut in an obscure 1968 film was passed over in the studio publicity). In 1982, she essayed her most memorable screen role, as the brash, blunt Brooklynite Bella Carroca in My Favorite Year; she would repeat this role many years later in the Broadway musical version of that film. She had a memorable turn in the weepie Beaches, and appeared in a variety of projects including Honeymoon in Vegas and Love Is All There Is. Kazan had the biggest movie success of her career at the beginning of the 21st century when she was one of the leads in the indie smash My Big Fat Greek Wedding, setting in motion a career resurgence that included the short-lived TV spinoff of that movie as well as Gigli, Red Riding Hood, and the Adam Sandler movie You Don't Mess With the Zohan.   Kazan's series-TV assignments included the role of Rita in the 1986 Robby Benson detective series Tough Cookies, the "best friend" part of Claire Steiner in the Fox Network Patty Duke sitcom Karen's Song, and recurring appearances in the hospital drama St. Elsewhere. Few of these appearances, however were of the zany calibre of Kazan's outrageous portrayal of an Italian-accented fairy godmother in Shelley Duvall's Faerie Tale Theatre's version of "Pinocchio." Still a top attraction on the supper-club circuit, Lainie Kazan has opened two cabarets bearing her name in New York and Los Angeles.